Environmental soundscapes convey substantial ecological and social information regarding urban environments; however, their potential remains largely untapped in large-scale geographic analysis. In this study, we investigate the extent to which urban sounds correspond with visual scenes by comparing various visual representation strategies in capturing acoustic semantics. We employ a multimodal approach that integrates geo-referenced sound recordings with both street-level and remote sensing imagery across three major global cities: London, New York, and Tokyo. Utilizing the AST model for audio, along with CLIP and RemoteCLIP for imagery, as well as CLIPSeg and Seg-Earth OV for semantic segmentation, we extract embeddings and class-level features to evaluate cross-modal similarity. The results indicate that street view embeddings demonstrate stronger alignment with environmental sounds compared to segmentation outputs, whereas remote sensing segmentation is more effective in interpreting ecological categories through a Biophony--Geophony--Anthrophony (BGA) framework. These findings imply that embedding-based models offer superior semantic alignment, while segmentation-based methods provide interpretable links between visual structure and acoustic ecology. This work advances the burgeoning field of multimodal urban sensing by offering novel perspectives for incorporating sound into geospatial analysis.
View on arXiv@article{chen2025_2506.03388,
title={ Cross-Modal Urban Sensing: Evaluating Sound-Vision Alignment Across Street-Level and Aerial Imagery },
author={ Pengyu Chen and Xiao Huang and Teng Fei and Sicheng Wang },
journal={arXiv preprint arXiv:2506.03388},
year={ 2025 }
}